At the beginning of the 1990s Joachim Seinfeld started combining painting and photography by applying photographic emulsions to his pictures. Since then the use of silver gelatine emulsion is characteristic for his work.
Joachim Seinfeld graduated from the Academy of Fine Arts in Florence, Italy with a degree in painting. He has performed and lectured all over Europe including the Zacheta National Gallery Warsaw/PL, the Jagiellonian University in Krakow/PL, Trafo Gallery in Budapest/HU, Tacheles Berlin/GER and Académie Royale des Beaux Arts in Liège, Belgium.
Since the early 1990s Joachim Seinfeld participated in numerous exhibitions in Germany, Netherlands, Denmark, Italy, Poland, Czech Republic, Slovenia, Turkey, USA and other countries. He took part in the International Biennial of Contemporary Art at the National Gallery in Prague and the exhibition 4 KS 2/63 – 40 Years of Auschwitz Trial at the Martin-Gropius-Museum in Berlin.
His works are included in the collections of Santa Barbara Museum of Arts, Städtische Galerie Lüdenscheid, the Jewish Museum and the National Gallery in Prague, the Collection Gomes de Pinho (Institute Seralves) in Porto and in numerous private collections. His Golem pictures were used for the New English edition of the Golem by G. Meyrink at Tartarus Press.


Born in 1962 in Paris, France
Lives and works in Berlin, Germany


Graduation at the Academy of Fine Art in Florence/IT
Teaching assignment at the Jagiellonian University, Krakow/PL
Teaching assignment at the Académie Royale des Beaux Arts Liège/BE
Lecturing at Alice-Salomon-Hochschule Berlin


Menschen und Rechte/ Heinrich-Heine-Award of the City of Augsburg


HeimatReisen in Dresden/DE
WWI exhibition, Museum for Military History, Dresden
Wahre Lügen; Egbert Baqué Contemporary, Berlin (mit Claus Feldmann)
StadtRandLeben; Galerie M, Berlin
Neighbours: Berlino e oltre; artmbassy, Berlin
Neighbours: Present – Past…and what lies in between; Schneidertempel Art Center, Istanbul/TR
PlattenSpieler; Galerie M, Berlin
Re-construction of time; artMbassy, Berlin (with Veronika Witte and Karen Lebergott)
Beisl Balagan– Podróz do Polski; fabs, Gallery, Warsaw/PL
Doppelte Erlebnisdichte; Galerie Adlergasse, Dresden (with Andreas Sachsenmaier)
Versprechen; Delicatessenhaus, Leipzig (with Andreas Sachsenmaier)
Friendly Fire – seinfeld IM meinblau; Meinblau e. V., Berlin
Tra noi e loro, Galleria Bordone, Milan/IT
Zeit, GaDeWe, Bremen/DE
Response – Odpowiadac; KunstRaum Berlin
Die Flüchtigkeit der Stadt; HO-Galerie, Berlin
Galleria Bordone, Milan/IT
Meyer-Velde – Seinfeld – H. Penschuck; Galerie 68-elf, Cologne/DE
Schicht um Schicht; Block 16, Hannover/DE
Eingerichte; Overgaden, Gallery of the Ministry of Culture, Copenhagen/DK
Spuren, Kulturmodell, Passau/DE
Kunst im Foyer; State Theatre Oldenburg/DE
Bildobjekte – Objektbilder; Galerie 149, Bremerhaven/DE
Gegen-einander-über; KARG, Oldenburg/DE


The X Part II (Anniversary) Show, WHITECONCEPTS Gallery, Berlin/DE
Transformation; EnterArtFoundation, Bunker K101, Cologne/DE
R_E_Volution 1918/2018, Motorenhalle, riesa efau, Dresden/DE
Next Image – The Past of the Future, Daegu Photo Biennale, Daegu/KR
Notes on the Beginning of the Short 20th Century at Artist House, Tel Aviv/IL
EnterArtFoundation, Kantgarage, Berlin
Zeig Dich! on occasion of the Deutscher Kirchentag, Zwinglikirche, Berlin/DE
Golem, Musée d‘art et d‘histoire du Judaisme, Paris/FR
Notes on the Beginning of the Short 20th Century; NCCA Baltic Branch, Kaliningrad/RU
Golem, Jewish Museum, Berlin/DE
Transitional Societies; NON Asia Contemporary Art Platform, Berlin/DE
Facing the Future; Egbert Baqué Contemporary, Berlin/DE
Project Art Vending Machine, Jewish Museum, Berlin/DE
Notes on the Beginning of the Short 20th Century; Emil Filla Gallery, Ústí nad Labem/CZ Içimdeki Melegi Öldürdüm; Akademililer Sanat Merkezi, Beyoglu/Istanbul/TR
One Square Metre, Municipal Galerie Berlin/DE
Intersections; Pfaueninsel; Egbert Baqué Contemporary, Berlin/DE
Anmerkungen zum Beginn des kurzen Jahrhunderts; Freiraum Quartier 21 International Museumsquartier, Vienna/AT
Project Art Vending Mashine, Jewish Museum Berlin
Postcolonial Flagship Store; Quartier 21, Vienna/AT
Das kurze 20. Jahrhundert, riesa efau Motorenhalle, Dresden/DE
Dangerous – A Visual Interpretation of Adverse Events; Spreeviera Galerie, Berlin/DE
Intermezzo #2; Mila Kunstgalerie, Berlin/DE
A Tribute to David Bowie – Hauptstrasse, Egbert Baqué Gallery, Berlin/DE
Potrayal/Betrayal, Santa Barbara Museum of Art, Santa Barbara/USA
Broadcast, Funkhaus Nalepastrasse, Berlin/DE
Folge der Generationen, Motorenhalle, Dresden/DE
Contrary Voices, Changeable Realities, Kare Sanat Gallery, Istanbul/TR
Ostrale, Dresden/DE
Canakkale Biennial, Canakkale/TR
Presentation of the works of the competition for “Denkzeichen Georg Elser”, Berlin/DE
artHAUS; curated by Thomas Schirmböck, Los Angeles-Venice/USA
Ohne Uns!; Riesa e.V., Dresden/DE
Where Is My Privacy; Casa Dell‘arte, Istanbul/TR
Space Matrix 01, WHITECONCEPTS, Berlin/DE
On Tectonics of History; ISCP, New York/USA
Zur Tektonik der Geschichte, Motorenhalle, Dresden/DE
Bazaar – On Strategies of Risk; 5th Berliner Kunstsalon, Berlin/DE
On Tectonics of History, Wyspa Art Institute, Gdansk/PL
Artisti per Alcamo – Il fondo dell‘anima; Alcamo, Sicily/IT
Bazaar – On the Anatomy of the Art Market; Meinblau, Berlin/DE
4 KS 2/63 – 40 Years of Auschwitz Trial, Fritz Bauer Institut, Frankfurt/DE
Gallus-Haus, Martin-Gropius-Bau, Berlin/DE
Hicetnunc 2004; San Vito al Tagliamento/IT
Sommersalon 2004; Kunstverein Schloss, Wiligrad/DE
Kunstlandschaft X; Kunsthaus Flora, Berlin/DE
Bi-Rout; Goethe Institut, Beirut/LB
Hicetnunc 2002; Villa Manin, Passariano/IT
Intervento II; Cantieri Culturali alla Zisa, Palermo/IT
KunstKnöpfe, Städtische Galerie, Lüdenscheid/DE
Manie; Galleria Bordone, Milan/IT
Kunstlandschaft III, Symposion at Kunsthaus Flora, Berlin/DE
Raum und der Raum, Galerie A&O, Berlin/DE
11. AA-Kerk-Exhibition, Groningen/NL