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KATRIN KORFMANN AT YUNGANG ART MUSEUM
KATRIN KORFMANN AT YUNGANG ART MUSEUM
October 15, 2017 In News No Comment

Exhibition: 23.09.2017 – 07.10.2017

“Power of the Image” – group exhibition with Katrin Korfmann 
LOCATION: YUNGANG ART MUSEUM, 339, Nanjiao Qu, Datong Shi, Shanxi Sheng/ China
Exhibition WEBSITE |Museum WEBSITE

Curated by Ineke Gudmundson

“Power of the Image” is a part of the series of activities of “The Wild of China”, which is the brand of “Public Relations of Image” created by China Public Relations Association (CPRA). In 2017, the theme of the photography culture exhibition is “Fusion across Transcendence, Beauty of Datong”, which responds to the “One Belt & One Road” initiative to promote world cultural exchanges and mutual learning and understanding. CEAC present over 100 works in the exhibition as the representative of the guest country – Netherlands.

The vast majority of the Dutch artists featured in this exhibition have been on CEAC’s residency program at some point in their career. The display showcases a variety of subject matters, styles and creative methods, and also features a small number of video works in conjunction with photography to give the viewers a taste of other possibilities of lens-based artistic practice by Dutch contemporary artists. Exhibiting artists are Aernout Mik, Emilie Hudig, Gerald van der Kaap, Guido van der Werve, Katrin Korfmann & Jens Pfeifer, Marike Schuurman, Marjan Laaper, Marjan Teeuwen, Peer Veneman, Persijn Broersen & Margit Lukacs, Sarah mei Herman, Scarlett Hooft Graafland, Sigurdur Gudmundsson, Sylvie Zijlmans & Hewald Jongenelis, Tara Fallaux, Ton Zwerver.

The power of a photographic image, therefore, lies in its ability to not only record the physical world or represent an objective reality but also reflect our inner worlds, serving as a testament to our subjective realities. Cultural exchange can also be considered an art of perspectives. In the long history of intercultural relations, preconceptions and old narratives were tested, revised and adjusted through both dialogues and conflicts. In the best scenarios, we learn from one another and seek commonality despite differences, leading to deeper mutual understanding and greater mutual respect. It is hoped that with this grand debut of Dutch contemporary art in Datong – one of China’s ancient cultural cities and the start point of the Silk Road in China’s North Wei Dynasty (386-534 AD), visitors can be inspired to contemplate and appreciate with expanded perspectives the connections between the past and the present, and between different parts of the world, in this increasingly interconnected and interdependent world we co-inhabit.

 

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Ruthi Helbitz Cohen at Israeli Cultural Institute
Ruthi Helbitz Cohen at Israeli Cultural Institute
October 8, 2017 In News No Comment

Exhibition: 10.10.2017 – 30.10.2017

“Daphne” – Ruthi Helbitz Cohen – solo show
LOCATION: Israeli Cultural Institute, Paulay Ede u. 1VI. Budapest/ Hungary

 

Ruthi Helbitz-Cohen’s solo show at ICI titled ‘Daphne’ invites the spectator to enter the shadow of the soul. It is the first show of the Israeli artist in Hungary. The artist’s imagery connects narratives and symbols based on moral fables, biblical stories from the Old and New Testaments, and Greek mythology but derived also from the worlds of black magic and witchcraft, inspired by ancient folktales, exotic cultures and psychic landscapes.
Her works are realized often in site-specific installations through sheets of tracing paper, scotch tape, fabric softener, paint, ink and other substances, creating a “mixed media”, Referring to Daphne, described as a nymph in an anecdote of a Greek myth, who pleaded her father, the river god Ladon transformed her into a laurel tree spontaneously as the end of result of the escape from Olympian god Apollo’s eternal courtship. The circulation of longing and escaping as forms of human love is crystallized in this myth as this evergreen elegy ended up in Daphne’s metamorphose and Apollo’s lapse of majesty. Helbitz-Cohen’s imagery involve the spectator into an ambivalent emotional landscape where symbolistic images and figures reminiscent of human’s emotions in all senses – killing and reviving each other as well as all of substances in this world disappear and emerge dazzlingly in every moment. They touch on human innocence, youth, motherhood, as well as its loss, and the anxiety it causes.

In addition to the numerous museum exhibits in Israel, Ruthi Helbitz-Cohen was invited to show her work in  Germany, Netherlands, France, Denmark, Greece, China, and the USA. Alongside the artistic work in her studio, Ruthi teaches art in both the Beit Berl Arts College and the Oranim College.

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Uwe Poth at Het Valkhof Museum
Uwe Poth at Het Valkhof Museum
October 2, 2017 In News No Comment

Exhibition: 02.10.2017 – 31.10.2017

“LAND IN ZICHT” – Uwe Poth – solo show 
LOCATION: De Houtwerf, Hatertseweg 23, NL-6533 AB Nijmengen
Museum WEBSITE

Uwe Poth’s (* 1946, Kiel) solo exhibition LAND IN ZICHT (engl. Land in Sight) takes place at the Het Valkhof Museum in order to his recent exhibition Portretten vol betekenis (engl. Reasonable Portraits). The exhibition contains about 100 paintings, 100 drawings, photographs and artist books. Poth’s Pantheon, a series of 140 portraits of special people from the past, was shown at the Nouvelles Images Gallery in Den Haag and in the Charlottenburg Palace in Berlin. About thirty of these portraits are now in various collections, including the Royal House. The rest of the portraits are now shown in De Houtwerf, while the artist portrays people on site. Conversely, it is similar to a portrait of the old series, if you buy one you get a portrait of yourself for free. All  portraits are recorded in the accompanying catalog to be published by the Het Valkhof Museum.

De Houtwerf Foundation creates a platform in the field of art, culture, technology and science striving for cross-connections, in which research, lectures, exhibitions, events and content programs meet inspirational, lively and open.

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Veronika Witte at HYVINKÄÄ ART MUSEUM
Veronika Witte at HYVINKÄÄ ART MUSEUM
September 16, 2017 In News No Comment

Exhibition: 16.09.2017 – 19.11.2017

“Kolonie Wedding | Berlin Contemporary Art in Finland” group exhibition with Veronika Witte 
LOCATION: HYVINKÄÄ ART MUSEUM, Hämeenkatu 3 D, 05800 Hyvinkää/ Finland
Exhibition WEBSITE |Museum WEBSITE

Curated by Andreas Wolf, Dr. Anna E. Wilkens and Dr. Mika Karhu

The Kolonie Wedding exhibition presents a vast collection of contemporary art from Berlin in the Hyvinkää Art Museum. The name of the exhibition is based on the artists’ association, in other words “the colony”, which is located in the district of Wedding in Berlin. The active association is  organised in 23 different project spaces. Kolonie Wedding can also be interpreted as a living body of art which breaks boundaries and creates new ideas and experiences for both artists and the public. The artists of the Kolonie Wedding exhibition are either active members of the “colony” or their work has been exhibited in the association’s spaces.

Participating artists:

Jovan Balov, Tom Frühtl, Jörg Hommer, Henrik Jacob, Karen Koltermann, Reiner Maria Matysik, Matthias Mayer, Karen Scheper, Prof. Ira Schneider, Gabriele Stellbaum, Stoll-Wachal, Kata Unger, Veronika Witte, Andreas Wolf

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SARA BERTI AT SHARJAH ART FOUNDATION
SARA BERTI AT SHARJAH ART FOUNDATION
September 15, 2017 In News No Comment

Exhibition: 25.06.2017 – 07.10.2017

“Vantage Point” – group exhibition with Sara Berti 
LOCATION: SHARJAH ART FOUNDATION, Al Shuwaihean Area, opp Sharjah Art Museum, Sharjah/ United Arab Emirates
Exhibition WEBSITE

 

Fine selection of  photographs. Curated by Christine Tohmé.

 

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Michael Zheng at Savvy Contemporary
Michael Zheng at Savvy Contemporary
September 8, 2017 In News No Comment

Exhibition: 14.09.2017 – 21.10.2017| Opening Reception: 13.09.2017, 18:00

“El Usman Faroqhi Here and a Yonder – On Finding Poise in Disorientation”
– group exhibition with Michael Zheng

LOCATION: Savvy Contemporary | Plantagenstraße 31 | 13347 Berlin
Thursday – Sunday 2-7 pm and by appointment
WEBSITE

Artistic directors: Marius Babias and Antje Ehmann
Curators: Antonia Alampi, Carles Guerra, Tom Holert, Doreen Mende, Bonaventure Soh Bejeng Ndikung, Volker Pantenburg, Stefanie Schulte Strathaus
Participating artists: Candice Breitz, Ariani Darmawan, Fehras Publishing Practices, Shilpa Gupta, Ho Tzu Nyen, Samson Kambalu, Olaf Nicolai, and Michael Zheng

Harun Farocki (1944-2014) is one of the most important and internationally influential German filmmakers. His oeuvre comprises more than 100 experimental and documentary films, essay, short and feature films. However, his complete oeuvre goes far beyond that. Farocki left behind extensive works of film and media theory, still to be discovered, and for decades worked as a lecturer. Since the mid-1990s, he expanded his cinematic practice with video installations in fine art spaces. Farocki was an ethnographer of capitalist living environments, which he dissected and analyzed. Vital to his approach and his oeuvre is the examination of the meaning of images, their genesis, and, in particular, the power structures inscribed in them. In order to pay tribute to the significant oeuvre of Harun Farocki, Neuer Berliner Kunstverein (n.b.k.), in cooperation with Arsenal – Institute for Film and Video Art, the Harun Farocki Institute, Harun Farocki GbR, Savvy Contemporary and Silent Green Kulturquartier, initiated the first comprehensive retrospective of Farocki’s work.

Neuer Berliner Kunstverein is showing the exhibition Harun Farocki: Mit anderen Mitteln – By Other Means, which assembles his film installation works. Simultaneously the first retrospective of Harun Farocki´s complete cinematographic work takes place at the Arsenal Cinema. Dedicated to the question about the influence and permanence of Farocki’s aesthetic and intellectual practice is the event Farocki Now: A Temporary Academy, organized by the Harun Farocki Institute, taking place on several days at Silent Green Kulturquartier, with an opening event at Haus der Kulturen der Welt. Savvy Contemporary develops the group exhibition, El Usman Faroqhi Here and a Yonder – On Finding Poise in Disorientation, with Candice Breitz, Ariani Darmawan, Fehras Publishing Practices, Shilpa Gupta, Ho Tzu Nyen, Samson Kambalu, Olaf Nicolai, and Michael Zheng.
Verlag der Buchhandlung Walther König, Cologne publishes a multi-volume edition of the writings by Harun Farocki, the first volume being the previously unpublished autobiography. The Harun Farocki Retrospective is accompanied by an extensive lecture program and the educational programs “Großes Kino, Kleines Kino” and “Arsenal Filmatelier”.

The Harun Farocki Retrospective is a project by Neuer Berliner Kunstverein (n.b.k.) in cooperation with Arsenal – Institute for Film and Video Art, the Harun Farocki Institute, Harun Farocki GbR, Silent Green Kulturquartier, Verlag der Buchhandlung Walther König, Savvy Contemporary and Haus der Kulturen der Welt, as part of the Berlin Art Week, supported by the Berlin Senate, Department for Culture and Europe.

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Wanda Stang and Michael Zheng at Whiteconcepts
Wanda Stang and Michael Zheng at Whiteconcepts
September 2, 2017 In News No Comment

Exhibition: 19.09.2017-27.09.2017 | Opening Reception: 19.09.2017, 19:00-21:00
Special Event:
Drawing Meditation and Artist Talk by Michael Zheng: 21.09.2017, 18:00

 

WHITECONCEPTS gallery is delighted to present a duo show of German artist Wanda Stang and San Francisco based Chinese artist Michael Zheng. The times we live in are full of conflicts from all aspects of life. The emotional and psychological duress calls for different ways of coping. The works of the two artists in this show take on the similar issues but with opposite formal strategies. Their works rely on the singularity of a charged image, Zheng’s highly pared down and minimalist, while Stang’s work is colorful and intense.

In times where speed is one of the most important factors of our existence the artists use guided visualization in form of day-dreaming, meditation or yoga practice to create their art – a medium that enables an imaginable spot for self-reflection, comprehension or contemplation. The new body of work from Zheng depicts the anxiety and psychological state that he became aware of through his yoga and meditation practice, as well as the search for self-empowerment by being in the present. In Stang’s work, guided imagery is a mind-body intrusion to evoke and create mental images that simulate the sensory perception, but also deeper-lying emotions or feelings.

German painter Wanda Stang completed studies in painting and pedagogy for Waldorf schools as well as studies of Fine Arts in Baden-Württemberg. In 2014 she was a Meisterschüler at the Berlin Weissensee School of Art, where she graduated from classes of painting, textile and surface design. From 2006 to 2007 she was involved in the restoration work for the re-opening of the Neues Museum in Berlin. In 2011 her path led her to London, where she worked as a designer for Alexander McQueen. Back in Berlin, she participated in solo and group exhibitions in Germany, Netherlands and Hungary, p.e. at the Berlinische Galerie, Berlin/DE and Deutsche Bank Kunsthalle, Berlin/DE.

San Francisco based Chinese artist Michael Zheng is best known for conceptual and performance works that stipulate situations that appear to be aberrations and yet enable different perspectives on the familiar. In addition to the performance-based projects, he also started a series of drawings and sculptures based on his new awareness of the psychological makeup of the physical body. This show is the first time he exhibits these works. Michael has exhibited internationally including shows at the Vancouver Biennale, ICA/London, Marina Abramovic Institute West, Berkeley Art Museum.

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Franziska Rutishauser at Verein Berliner Künstler
Franziska Rutishauser at Verein Berliner Künstler
September 1, 2017 In Exhibitions News No Comment

Exhibition: 02.09.2017 – 24.09.2017| Opening Reception: 01.09.2017, 19:00

“Macht Geld” – Group exhibition with Franziska Rutishauser 

LOCATION: Galerie Verein Berliner Künstler | Schöneberger Ufer 57 | 10785 Berlin
Tuesday-Friday 15-19 h • Saturday-Sunday 14-18 h
WEBSITE

Der Titel spricht zwei Begriffe an, die für struktur- und verhaltensbestimmende Regeln menschlicher Zivilisation stehen. Die Begriffskombination kann in der deutschen Sprache auch als Tätigkeit verstanden werden, die wiederum für eine Grundhaltung menschlichen Strebens innerhalb eines Gesellschaftssystems steht: Anhäufen von Geld, um Macht zu erlangen, sei es auch nur die Macht, frei bestimmen zu können. Als Macher von Kunst, wie dies im April 2013 die Deutsche Bank mit „Macht Kunst“ in der KunstHalle by Deutsche Bank in Berlin vorführte, ist man nicht frei davon, Geldströmen zu folgen. Die Ausstellung wirft Fragen zu Macht und Geld anhand von Arbeiten dreier Künstlerinnen auf, die sich unabhängig in ihren Projekten damit beschäftigen. Die ausgestellten Werke wurden bereits vielfach beachtet (u. a. 55. Venedig Biennale, Frauenmuseum Bonn, Kunstverein Solingen). Allen drei Projekten gemeinsam ist die konzeptuelle Visualisierung wie dies in „Gold and Tar“, „Stroh & Gold“, „Danaë“ oder “A Space Odyssey” zu sehen ist.

Susanne Kessler *1955 in Wuppertal DE, lebt in Berlin und Rom. Sie studierte in Berlin an der UDK und in London am RCA Malerei und Grafik. Vorrangig von der Zeichnung ausgehend entwickelt sie raumgreifende, organisch wirkende Installationen. Zahlreiche Ausstellungen führten sie durch viele Länder Europas und die Welt. Sie lehrte an mehreren Hochschulen der USA und Lettland.

Franziska Rutishauser *1962 in Münsingen CH, lebt in Berlin, Bern und Nizza. Sie studierte an der Schule für Gestaltung (heute Hochschule der Künste) Bern und Universität Bern. Ihr Schwerpunkt lag zunächst auf Fotografie und Film, später rückte das Gemälde als Werk in den Vordergrund. Ihr Fokus liegt auf der Sichtbarmachung der Abstraktheit von scheinbar vertrauter Realität. Durch die Nähe zur Realität wird subtile Irritation im Hinblick auf Interpretation herbeigeführt. Motive entnimmt sie der Natur und arbeitet bis heute mit der engen Verbindung von Fotografie und Malerei. Portfolio

Vadim Zakharov *1959 in Duschanbe/UdSSR, heute Tadschikistan, TJ, lebt in Berlin und Moskau. Er studierte in Moskau an der MCTTU. In den 1970er und 1980er Jahren war er Mitgleid der Kreises der Moskauer Konzeptualisten. Durch seine Faszination für archivarische Tätigkeit wurde er zum Sammler und Archivar der Moskauer Szene. Nach der Auflösung der UDSSR reiste er nach Köln aus. Sein Interesse gilt auch typografischer Arbeit, ab 1992 gab er die Kunstzeitschrift „Pastor“ heraus. Sein Oeuvre basiert auf Performance, Film, Typografie, Zeichnung, Objekt, Malerei und Installation.

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Thorsten Goldberg at HOCHHAUS
Thorsten Goldberg at HOCHHAUS
August 29, 2017 In News No Comment

Exhibition: 30.08.2017 – 01.11.2017| Opening Reception: 29.08.2017, 19:00

“Zi124/buy@Globus” – duo exhibition with Thorsten Goldberg 
LOCATION: studio im HOCHHAUS | Zingster Straße 25 | 13051 Berlin | Phone +49 30 929 38 21 |
Monday to Thursday 11-19 h, Friday 11-18 h, Sunday 14-18 h
WEBSITE

Thorsten Goldberg und Martin Kaltwasser wirken zumeist im öffentlichen Raum oder realisieren Aufträge im Rahmen von Kunst am Bau. So arbeiten die beiden Künstler fast nomadisch und richten sich an verschiedenen Orten eine möglichst optimale Arbeitsumgebung her. Neben improvisierten „Baubühnen“ spielen Aufzeichnungen, To-Do-Lists oder Rechnungen eine Rolle, die darüber Auskunft geben, welch detaillierte Planung hinter ihren Arbeiten steckt.

Thorsten Goldberg, (*1960) studierte an der Kunstakademie in Stuttgart und lehrte an den Kunstakademien in Münster, München, Linz und zuletzt als Professor für Kunst und Medien in Kiel. Er lebt in Berlin. Goldberg war Mitglied diverser Gremien und Kommissionen für Kunst im öffentlichen Raum in Berlin und in Wien und an Auswahl und Organisation von Wettbewerben sowie an Dokumentations- und Archivierungsprojekten von Kunst im Öffentlichen Raum beteiligt.
Permanente Arbeiten im öffentlichen Raum finden sich in Berlin und anderen deutschen Städten, sowie in Polen, Norwegen und in Kanada. Er war in den letzten Jahren mit Einzelausstellungen vertreten in: Fundacio Miro, Barcelona; Laznia Museum of Contemporary Art Gdansk; Gersich Stiftung Neumünster.
Martin Kaltwasser, (*1965) studierte Bildende Kunst an der AbK Nürnberg und Architektur an der TU Berlin. Er lebt in Berlin und arbeitet in den Bereichen Bildhauerei, Installation, Kunst/Intervention im öffentlichen Raum, Design, Performance, Fotografie, Architektur und Stadtforschung. Martin Kaltwassers weltweit gezeigte Arbeiten im öffentlichen Raum verbinden Recherche mit zumeist prozessorientierten, räumlichen, objekthaften, architektonischen Umsetzungen. Viele seiner Projekte sind partizipatorisch und entstehen unter der Verwendung von Abfällen aus dem städtischen Raum. Sie bilden oftmals eine „Ästhetik des Widerstands“ gegen die Zerstörung und Verrohung öffentlichen Raums durch zunehmende privatwirtschaftliche Machtpraktiken.

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Veronika Witte at Galerie Fonticus
Veronika Witte at Galerie Fonticus
July 28, 2017 In News No Comment

Exhibition: 17.08.2017 – 27.08.2017 | Opening: 17.08.2017

” Narcissus” group exhibition with Veronika Witte 
LOCATION: GRADSKA GALERIJA FONTICUS, Trg lođe 3, 52429 Groznjan/Croatia
WEBSITE

 

Participating artists:
Jovan Balov, Andreas Wolf, Alexander Horn, Cristina Artola, Karen Stuke, Veronika Witte, Josef Vilser, Archi Galentz

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